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An epic final which was like a blockbuster movie. And in the end, a deserving winner. That is what the Wimbledon 2008 final proved to be. It was show time again, with the World No. 1 Roger Federer, up against the ever improving Rafael Nadal on Centre Court. If last year’s 5 set thriller between the same two champions was awe-inspiring, the final this time around was breath taking.
It had drama, suspense, excitement, brilliance, perseverance and emotions. Rafa led Roger 2 sets to love, and had taken the fifth set to a tie breaker after a rain delay. It seemed divine intervention as far as Roger was concerned. Rafa had 2 championship points in the 4th set tie break leading 5-2 and serving for the match. Federer incredibly managed to save them both and took the match to a final set decider. With the last set at 2-2 and deuce, rain again came down on Centre Court, and the players took another break. Would this be a divine intervention again for Federer or for Nadal, who got agonizingly close to winning the coveted crown ?
Well the title pretty much says it all. And this is not my opinion alone, but that of all those who walked out of the film before I did - before the interval, during the interval and after the interval. As for yours truly, we would have walked out well before the (dud) finale (Question please, who makes 180+ minutes films nowadays?) but mum was sleeping so peacefully, I just didn’t have the heart to wake her up.
It’s quite amusing if one takes a look at recent times Lezzy (lesbian) films with an Indian sub-context. Actually No. Let me rephrase this.
Watching the (only) two Lezzy films from mainstream Hindi cinema was an amusing experience, at least for me. I’m referring to Deepa Mehta’s Fire (1998), and blink-and-you-missed-it, Karan Razdan’s Girlfriend (2004). Of course, the two films differed widely in terms of storyline, direction, and other production aspects. Let’s not even go into difference in the acting department.
However the common thread between the two is this: Both films needed a reason for lesbianism. Homosexuality had to be explained and given a valid raison d’etre: the lead characters of both films were abused, sexually and emotionally, by members of the opposite sex, therefore they turned to other women for ‘solace’.
Continue reading ‘When Kiran Met Karen : Master Piece or Just For Titillation?’
(Well its Salman Khan. And I tend to get a wee-bit emotional when it comes to him but then again this is no new news for you. Which is why when the time came to review the very first episode of 10 Ka Dum, I choose my dearest friend to take it while I could spend the entire 60 minutes simply ogling at the man and not worrying about the rest.)
Take a glass piece to the eye, crinkle up your nose, and revisit a much thinner Salman Khan of two decades ago. His expressions, his accent and his I’m-so-Kewl attitude remain much the same as he played the bad-boy-turned-good in the Rekha and Farook Sheikh starrer Biwi Ho Toh Aisi (1988).
Yes. I too do find the resemblance quite freaky. One wonders if this is going to be Bollywood’s latest ‘get-famous-quick’ mantra; ape a superstar and too with a capital R. But then again, nothing ever really beats an original.